{"id":4470,"date":"2021-04-08T16:52:38","date_gmt":"2021-04-08T16:52:38","guid":{"rendered":"https:\/\/taniarubio.com\/?page_id=4470"},"modified":"2026-01-06T12:15:05","modified_gmt":"2026-01-06T18:15:05","slug":"catalogo-de-obra","status":"publish","type":"page","link":"http:\/\/taniarubio.com\/en\/pagina-obras\/catalogo-de-obra\/","title":{"rendered":"List of Works"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"4470\" class=\"elementor elementor-4470\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section data-dce-background-overlay-color=\"#000000\" class=\"elementor-section elementor-top-section elementor-element elementor-element-d48828a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d48828a\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;video&quot;,&quot;background_video_link&quot;:&quot;\\\/wp-content\\\/uploads\\\/Main-Comp-2.mp4&quot;}\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-background-video-container elementor-hidden-mobile\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<video class=\"elementor-background-video-hosted\" autoplay muted playsinline loop><\/video>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-be51fb8\" data-id=\"be51fb8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d58f4b7 elementor-widget elementor-widget-heading\" data-id=\"d58f4b7\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">List of Works<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9b8fa78 elementor-widget elementor-widget-dce-breadcrumbs\" data-id=\"9b8fa78\" data-element_type=\"widget\" data-widget_type=\"dce-breadcrumbs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<ul><li class=\"item-home\"><a class=\"bread-link bread-home\" href=\"http:\/\/taniarubio.com\/en\" title=\"Home\">Home<\/a><\/li><li class=\"separator separator-home\"> <span class=\"dce-separator\"> &gt; <\/span> <\/li><\/ul>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-76450a2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"76450a2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c9124d1\" data-id=\"c9124d1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2de0dd8 elementor-widget elementor-widget-text-editor\" data-id=\"2de0dd8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #000000;\"><strong>The Gleaners &#8211; <\/strong>2025<\/span><\/p>\n<p>For percussion quartet<\/p>\n<p>Specially written for We Spoke<\/p>\n<p>Supported by SNCA<\/p><p><br><\/p>\n<p><span style=\"color: #000000;\"><strong>In a very distant place from the Anthropocene &#8211; <\/strong>2025<\/span><\/p>\n<p>For Accordion, Sax, Horn, Violin, Cello, Double bass and fix media electronics.<\/p>\n<p>Specially written for Lizard Ensemble<\/p>\n<p>Supported by SNCA<\/p><p><br><\/p>\n<p><span style=\"color: #000000;\"><strong>Entre la Selva y el Altiplano &#8211; <\/strong>2025<\/span><\/p>\n<p>For orchestra of Andean instruments<\/p>\n<p>Specially written for the OEIN (Orquesta Experimental de Instrumentos Nativos de Bolivia)<\/p>\n<p>Supported by SNCA<\/p><p><br><\/p>\n<p><span style=\"color: #000000;\"><strong>The Guardians &#8211; <\/strong>2025<strong><br><\/strong><\/span><\/p>\n<p>Multichannel electroacoustic music<\/p>\n<p>Supported by SNCA<\/p><p><br><\/p>\n<p><span style=\"color: #000000;\"><strong>The Language of Water <\/strong>&#8211; (2021)2024<\/span><\/p>\n<p>Ensemble and electronics<\/p>\n<p>Supported by the Crespo Foundation&nbsp;<\/p>\n<p>Written for Ensemble Modern<\/p><p><br><\/p>\n<p><span style=\"color: #000000;\"><strong>Insect City &#8211;<\/strong><\/span>2024<\/p>\n<p>Multichannel Electronics<\/p>\n<p>Supported by Linz Export<\/p><p><br><\/p>\n<p><span style=\"color: #000000;\"><strong>Antropolog\u00eda de la Memoria &#8211;&nbsp;<\/strong>2024<\/span><\/p>\n<p>Musiktheater for two flutes, one performer and electronics<\/p>\n<p>Supported by Linz Export<\/p><p><br><\/p>\n<p><span style=\"color: #000000;\"><strong>Grito Silente del Mar &#8211; <\/strong>2023<\/span><\/p>\n<p><span style=\"color: #000000;\">for Flutes, objects and electronics<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Ciclo Cervantes<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Patricia Garcia<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Klangwelten<\/strong> &#8211; 2023<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music and video<\/span><\/p>\n<p><span style=\"color: #000000;\">Supported by Goethe Institut Koproduktionsfonds<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Umwelt &#8211;&nbsp;<\/strong>2023<\/span><\/p>\n<p><span style=\"color: #000000;\">for Clarinet solo, multichannel electronics and video<\/span><\/p>\n<p><span style=\"color: #000000;\">Supported by Goethe Institut Koproduktionsfonds<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Acoustic Fields<\/strong> &#8211; 2023<\/span><\/p>\n<p><span style=\"color: #000000;\">for Percussion d\u00fao<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Ellen Ugelvik and Jennifer Torrence<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Lunar Sea<\/strong> &#8211; 2022, M\u00e9xico<\/span><\/p>\n<p><span style=\"color: #000000;\">Musik Theater for 22 Voices, Ensemble, Electronics, Video and Dance<\/span><\/p>\n<p><span style=\"color: #000000;\">Supported by FONCA, J\u00f3venes Creadores 2021-2022<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Heterotop\u00edas<\/strong> &#8211; 2022, M\u00e9xico<\/span><\/p>\n<p><span style=\"color: #000000;\">Musiktheater for Bass Clarinet, Percussion, Multichannel electronics, Video and Objects Theater<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Duplum<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>K&#8217;ob<\/strong> &#8211; 2022<\/span><\/p>\n<p><span style=\"color: #000000;\">Percussion solo and electronics<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Festival P\u00e0ayt&#8217;an, Yucat\u00e1n<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Iv\u00e1n Manzanilla<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Aus der Asche<\/strong> &#8211; 2021<\/span><\/p>\n<p><span style=\"color: #000000;\">Guitar solo and electronics<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Heike Mathiessen<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Wolf Women<\/strong> &#8211; 2021<\/span><\/p>\n<p><span style=\"color: #000000;\">for 2 Percussion players<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Stimmen der B\u00e4ume<\/strong> &#8211; 2021<\/span><\/p>\n<p><span style=\"color: #000000;\">for 12 Percussion players and 4 brasses<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Suicide Machinery<\/strong> &#8211; 2021<\/span><\/p>\n<p><span style=\"color: #000000;\">Music theater for 4 voices, cello, percussion, objects theater, electronics and video<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Sprachen der Natur<\/strong> &#8211; 2021<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Ludwig en el aire<\/strong> &#8211; 2020<\/span><\/p>\n<p><span style=\"color: #000000;\">for Piccolo, recorder, clarinet Bb, sax soprano, violin, viola, violoncello, double bass, percussion and electronics&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Liminar Ensemble<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Foro de M\u00fasica Nueva Manuel Enriquez<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Rito Funerario a la Muerte del Sol<\/strong> &#8211; 2020<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Museo Amparo<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Tier<\/strong> &#8211; 2020<\/span><\/p>\n<p><span style=\"color: #000000;\">Precolumbian instruments and live electronics.<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Judith Egger<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Chorus of the Dawn<\/strong> &#8211; 2019-2020<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Primer Encuentro Internacional de Grabaci\u00f3n de Campo, Puerto Vallarta<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Wind Mind<\/strong> &#8211; 2016<\/span><\/p>\n<p><span style=\"color: #000000;\">for Vocal quintet<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Neue Vocalsolisten<\/span><\/p><p><span style=\"color: #000000;\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>The Banality of Evil<\/strong> &#8211; 2019, Germany<\/span><\/p>\n<p><span style=\"color: #000000;\">Music theater for voice, flute and performer<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Archiv Frau und Musik<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Unspoken Languages<\/strong> &#8211; 2019<\/span><\/p>\n<p><span style=\"color: #000000;\">for 22 voices and percussion<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Archiv Frau und Musik.<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Response Project<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Windows of Listening<\/strong> &#8211; 2019<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Skop Festival<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Biotopos<\/strong> &#8211; 2017<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Natural Mutations<\/strong> &#8211; 2019<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Electroacoustic Music Studies Network EMS<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Paisaje Sonoro en Coatetelco<\/strong> &#8211; 2019<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Unam<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Axolotl<\/strong> &#8211; 2019<\/span><\/p>\n<p><span style=\"color: #000000;\">Music theater for male voice, recorders and electronics<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by UMS N JIP<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Yolcatl<\/strong> &#8211; 2018<\/span><\/p>\n<p><span style=\"color: #000000;\">for Precolumbian instruments<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by&nbsp; Palacio de Cort\u00e9s<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>H\u2019ear through the wat_air B\u2019earth<\/strong> &#8211; 2018<\/span><\/p>\n<p><span style=\"color: #000000;\">D\u00fao for Female voice, percussion, 4 channel electronics, and objects theater&nbsp; Commissioned by CMMAS, Festival Internacional Cervantino<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Cuando el agua corre, esc\u00fachala caer<\/strong> &#8211; 2018<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Festival Nativo<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Re-rewriting (1946-2018)<\/strong> &#8211; 2018<\/span><\/p>\n<p><span style=\"color: #000000;\">for 6 Female voices and electronics<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Los 7 Colores de la Luna<\/strong> &#8211; 2015, 2018<\/span><\/p>\n<p><span style=\"color: #000000;\">for Open Ensemble<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Ensamble Liminar<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Occisiones Rituales<\/strong> &#8211; 2018, Brazil<\/span><\/p>\n<p><span style=\"color: #000000;\">Music Theater for Female Voice, Flute, Bass Clarinet, Violin, Violoncello, Percussion, Objects Theater and Electronics.<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Tribute for Nancarrow<\/strong> &#8211; 2017, M\u00e9xico.<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Conlon Nancarrow Percussion Orchestra <\/strong>&#8211; 2017<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Bye Bye Pauline Butterfly<\/strong> &#8211; 2017<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p>\n<p><span style=\"color: #000000;\">Tribute to Pauline Oliveros<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>El pensamiento, una forma elevada de respiraci\u00f3n &#8211;<\/strong> 2016<\/span><\/p>\n<p><span style=\"color: #000000;\">for Flute and Female Voice<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Soa Terra<\/strong> &#8211; 2016<\/span><\/p>\n<p><span style=\"color: #000000;\">for Violoncello and multichannel electronics<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Iracema de Andrade<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Transobjetividades Urbanas<\/strong> &#8211; 2016<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Homem Duro<\/strong> &#8211; 2016<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Pienso, luego me desaparecen<\/strong> &#8211; 2016,&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\">for Clarinet quartet<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Witzikitl Itekyo<\/strong> &#8211; 2016<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music and shadow theater for kids<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Los Animales S\u00edmbolo de las Altas Culturas<\/strong> &#8211; 2016<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacoustic music<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Articulaciones Sonoras &#8211;&nbsp;<\/strong>2015<\/span><\/p>\n<p><span style=\"color: #000000;\">Audiovisual piece commissioned by \u201cItinerarios Coreogr\u00e1ficos, Visualizaci\u00f3n Reflexiva de la obra de Pilar Medina\u201d CENIDI-DANZA, CONACULTA-PADID<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Entomofagia<\/strong> &#8211; 2015<\/span><\/p>\n<p><span style=\"color: #000000;\">Electroacustic colaborative piece: Bruno Mesz, Eliana Rosales, Facundo Suasnabar, and Tania Rubio<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Insectum Estridulitum<\/strong> &#8211; 2015<\/span><\/p>\n<p><span style=\"color: #000000;\">Sound Sculpture<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Correspondencias<\/strong> &#8211; 2014<\/span><\/p>\n<p><span style=\"color: #000000;\">Music theater for Violin, viola, violoncello&nbsp; double bass and performers<\/span><\/p>\n<p><span style=\"color: #000000;\">Supported by FONCA,&nbsp; \u201cResidencias Art\u00edsticas 2012&#8243;<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Esquizofon\u00eda<\/strong> &#8211; 2014<\/span><\/p>\n<p><span style=\"color: #000000;\">for Pierrot Ensamble&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\">Written for Ensamble Liminar<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Sexo, drogas y el lado oscuro de la luna<\/strong> &#8211; 2014<\/span><\/p>\n<p><span style=\"color: #000000;\">for Pierrot Ensamble<\/span><\/p><p><span style=\"color: #000000;\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Asesinato Espejo<\/strong> &#8211; 2012<\/span><\/p>\n<p><span style=\"color: #000000;\">for female voice, 2 clarinets Bb and saxophone quartet.&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\">Awarded by UNAM<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Focus<\/strong> &#8211; 2012<\/span><\/p>\n<p><span style=\"color: #000000;\">Sound Installation&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\">Commissioned by Ingrid Sac<\/span><\/p><p><span style=\"color: #000000;\"><br><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Savannah la Mar<\/strong> &#8211; 2009<\/span><\/p>\n<p><span style=\"color: #000000;\">for&nbsp; 2 Flutes C and G, and 2 saxophones&nbsp; soprano and tenor, amplified in 4 channels<\/span><\/p>\n<p><span style=\"color: #000000;\">&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Mirada Ac\u00fastica<\/strong> &#8211; 2011<\/span><\/p>\n<p><span style=\"color: #000000;\">Music theater for Percussion (2 Marimbas, balaf\u00f3n,&nbsp; bass drum) and dancer<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Inicio &gt; The Gleaners &#8211; 2025 For percussion quartet Specially written for We Spoke Supported by SNCA In a very distant place from the Anthropocene &#8211; 2025 For Accordion, Sax, Horn, Violin, Cello, Double bass and fix media electronics. Specially written for Lizard Ensemble Supported by SNCA Entre la Selva y el Altiplano &#8211; 2025 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2812,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4470","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/pages\/4470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/comments?post=4470"}],"version-history":[{"count":83,"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/pages\/4470\/revisions"}],"predecessor-version":[{"id":6920,"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/pages\/4470\/revisions\/6920"}],"up":[{"embeddable":true,"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/pages\/2812"}],"wp:attachment":[{"href":"http:\/\/taniarubio.com\/en\/wp-json\/wp\/v2\/media?parent=4470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}