The Gleaners – 2025
For percussion quartet
Specially written for We Spoke
Supported by SNCA
In a very distant place from the Anthropocene – 2025
For Accordion, Sax, Horn, Violin, Cello, Double bass and fix media electronics.
Specially written for Lizard Ensemble
Supported by SNCA
Entre la Selva y el Altiplano – 2025
For orchestra of Andean instruments
Specially written for the OEIN (Orquesta Experimental de Instrumentos Nativos de Bolivia)
Supported by SNCA
The Guardians – 2025
Multichannel electroacoustic music
Supported by SNCA
The Language of Water – (2021)2024
Ensemble and electronics
Supported by the Crespo Foundation
Written for Ensemble Modern
Insect City –2024
Multichannel Electronics
Supported by Linz Export
Antropología de la Memoria – 2024
Musiktheater for two flutes, one performer and electronics
Supported by Linz Export
Grito Silente del Mar – 2023
for Flutes, objects and electronics
Commissioned by Ciclo Cervantes
Written for Patricia Garcia
Klangwelten – 2023
Electroacoustic music and video
Supported by Goethe Institut Koproduktionsfonds
Umwelt – 2023
for Clarinet solo, multichannel electronics and video
Supported by Goethe Institut Koproduktionsfonds
Acoustic Fields – 2023
for Percussion dúo
Written for Ellen Ugelvik and Jennifer Torrence
Lunar Sea – 2022, México
Musik Theater for 22 Voices, Ensemble, Electronics, Video and Dance
Supported by FONCA, Jóvenes Creadores 2021-2022
Heterotopías – 2022, México
Musiktheater for Bass Clarinet, Percussion, Multichannel electronics, Video and Objects Theater
Written for Duplum
K’ob – 2022
Percussion solo and electronics
Commissioned by Festival Pàayt’an, Yucatán
Written for Iván Manzanilla
Aus der Asche – 2021
Guitar solo and electronics
Commissioned by Heike Mathiessen
Wolf Women – 2021
for 2 Percussion players
Stimmen der Bäume – 2021
for 12 Percussion players and 4 brasses
Suicide Machinery – 2021
Music theater for 4 voices, cello, percussion, objects theater, electronics and video
Sprachen der Natur – 2021
Electroacoustic music
Ludwig en el aire – 2020
for Piccolo, recorder, clarinet Bb, sax soprano, violin, viola, violoncello, double bass, percussion and electronics
Written for Liminar Ensemble
Commissioned by Foro de Música Nueva Manuel Enriquez
Rito Funerario a la Muerte del Sol – 2020
Electroacoustic music
Commissioned by Museo Amparo
Tier – 2020
Precolumbian instruments and live electronics.
Commissioned by Judith Egger
Chorus of the Dawn – 2019-2020
Electroacoustic music
Commissioned by Primer Encuentro Internacional de Grabación de Campo, Puerto Vallarta
Wind Mind – 2016
for Vocal quintet
Written for Neue Vocalsolisten
The Banality of Evil – 2019, Germany
Music theater for voice, flute and performer
Commissioned by Archiv Frau und Musik
Unspoken Languages – 2019
for 22 voices and percussion
Commissioned by Archiv Frau und Musik.
Written for Response Project
Windows of Listening – 2019
Electroacoustic music
Commissioned by Skop Festival
Biotopos – 2017
Electroacoustic music
Natural Mutations – 2019
Electroacoustic music
Commissioned by Electroacoustic Music Studies Network EMS
Paisaje Sonoro en Coatetelco – 2019
Electroacoustic music
Commissioned by Unam
Axolotl – 2019
Music theater for male voice, recorders and electronics
Commissioned by UMS N JIP
Yolcatl – 2018
for Precolumbian instruments
Commissioned by Palacio de Cortés
H’ear through the wat_air B’earth – 2018
Dúo for Female voice, percussion, 4 channel electronics, and objects theater Commissioned by CMMAS, Festival Internacional Cervantino
Cuando el agua corre, escúchala caer – 2018
Electroacoustic music
Commissioned by Festival Nativo
Re-rewriting (1946-2018) – 2018
for 6 Female voices and electronics
Los 7 Colores de la Luna – 2015, 2018
for Open Ensemble
Written for Ensamble Liminar
Occisiones Rituales – 2018, Brazil
Music Theater for Female Voice, Flute, Bass Clarinet, Violin, Violoncello, Percussion, Objects Theater and Electronics.
Tribute for Nancarrow – 2017, México.
Electroacoustic music
Conlon Nancarrow Percussion Orchestra – 2017
Bye Bye Pauline Butterfly – 2017
Electroacoustic music
Tribute to Pauline Oliveros
El pensamiento, una forma elevada de respiración – 2016
for Flute and Female Voice
Soa Terra – 2016
for Violoncello and multichannel electronics
Written for Iracema de Andrade
Transobjetividades Urbanas – 2016
Electroacoustic music
Homem Duro – 2016
Electroacoustic music
Pienso, luego me desaparecen – 2016,
for Clarinet quartet
Witzikitl Itekyo – 2016
Electroacoustic music and shadow theater for kids
Los Animales Símbolo de las Altas Culturas – 2016
Electroacoustic music
Articulaciones Sonoras – 2015
Audiovisual piece commissioned by “Itinerarios Coreográficos, Visualización Reflexiva de la obra de Pilar Medina” CENIDI-DANZA, CONACULTA-PADID
Entomofagia – 2015
Electroacustic colaborative piece: Bruno Mesz, Eliana Rosales, Facundo Suasnabar, and Tania Rubio
Insectum Estridulitum – 2015
Sound Sculpture
Correspondencias – 2014
Music theater for Violin, viola, violoncello double bass and performers
Supported by FONCA, “Residencias Artísticas 2012″
Esquizofonía – 2014
for Pierrot Ensamble
Written for Ensamble Liminar
Sexo, drogas y el lado oscuro de la luna – 2014
for Pierrot Ensamble
Asesinato Espejo – 2012
for female voice, 2 clarinets Bb and saxophone quartet.
Awarded by UNAM
Focus – 2012
Sound Installation
Commissioned by Ingrid Sac
Savannah la Mar – 2009
for 2 Flutes C and G, and 2 saxophones soprano and tenor, amplified in 4 channels
Mirada Acústica – 2011
Music theater for Percussion (2 Marimbas, balafón, bass drum) and dancer